SONALKSIS STEREO TOOLS MANUAL MANUAL

I too clearly prefered K-stereo treatment over all the other processors. Yes, it is true, although in a real situation, I would probably use it in slightly less amount. So far I have not played with the ambience EQ section, which can still shape and adjust the right type of ambienceДЄs you could see above, most of those who listened to the samples immediately recognised that B sounds special, different than the others. It gives very subtle, almost 'ethereal' kind of enhancement that is not immediately obvious (and does not change the original structure of the sound), but when switching off, you notice that something is missing. I really like K-Stereo (and I obviously played with it a lot more than the few fixed examples above show). which may be suitable for a given material. Sometimes also settings below 0dB give yet more subtle enhancement. Another thing is that you donВґt have to engage both controls (wide/deep), sometimes just one of them may work ideal in certain cases. If 0dB used, the result would probably sound more natural, I think.

SONALKSIS STEREO TOOLS MANUAL MANUAL

In the meantime when playing K-Stereo, I found that 0 dB setting (or even less) is in most cases just the right amount of processing and above that, it can be sometimes already too much (in the beginning I thought that 0 dB means no effect and below it the effect is even reverse, which is obviously not so.) As one of the Murphy laws say - when all the attempts fail, read the manual :-))) There it is indeed mentioned that 0dB setting represents the average amount of the process which usually suits most materials.

Sonalksis stereo tools manual